Cut! Print!

24 Dec

The scene: Windsor Castle in the early 1960s, in the grip of a dramatised royal dispute about whether or not Prince Charles should go to chilly, remote Gordonstoun to toughen him up after primary school. At the height of the debate, the Duke of Edinburgh arrives at the castle in his elegant, powerful Lagonda (this isn’t just The Crown glamourising things for its Netflix audience: he really did have one).

Cut to: the aerodrome, where the Duke is going to use his own plane to fly Charles to Scotland (spoiler alert) for his first day at school. Father and son arrive to a media circus on the tarmac, flashbulbs popping, in the elegant, powerful Lagonda:

And then cut to: Gordonstoun, where the gates are swung open to welcome the Duke and Charles as they arrive in … er …  the elegant, powerful Lagonda, which would appear to have been either taken apart into very small pieces and loaded into the back of the plane, or have made the 550-mile journey from London to Scotland faster than the Duke of Edinburgh can fly. Never mind Santa’s sleigh: whichever royal aide caned it up the M1 at that speed needs to be given a job delivering presents.

I’ve always secretly fancied that, as a sub, I might be quite good at film continuity: keeping track of a timeline, checking for inconsistencies, remembering context, organising information: isn’t that what a copy desk does for a living? But in fact, I suspect, a continuity editor’s job is like editing an article by starting in the middle and being forced to read both forwards and backwards, only ever seeing one paragraph at a time, and relying only on your notes to remember which sentence comes after which. Makes deleting “’tis the season” and cutting down the Christmas gift guide to fit on half a page seem very easy by comparison.

So to editors of all types – from those rushing on set to remove a moustache from the male lead’s face to those with an excited political editor talking in one ear and an excited pre-press supervisor in the other – it’s time to say: happy Christmas, everyone. Here’s to another year of checking up on things.

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3 Responses to “Cut! Print!”

  1. Lisa Oliver December 24, 2017 at 5:40 pm #

    Loved this one! Happy Christmas Ed!!

    Lisa Oliver Sent from my iPhone

    >

    • edlatham December 24, 2017 at 6:30 pm #

      Thank you ma’am – and to you!

Trackbacks/Pingbacks

  1. The one thing you notice | Ten minutes past deadline - January 9, 2018

    […] armchair-continuity-expert thing is getting addictive. Moving on from The Crown to Netflix’s excellent Manhunt:Unabomber – the birth of forensic linguistics in eight […]

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